23 March 1906 , San Antonio, Texas, USA
Date of Death
10 May 1977 , New York City, New York, USA (heart attack)
5' 3" (1,6 m)
By the time Lucille Fay LeSueur was born -- on March 23, 1905, in San Antonio, Texas -- her parents had separated, and by the time she was a teenager, she'd had three stepfathers...
It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities.
After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in El jazz-Band del follies (1925). Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Vírgenes modernas (1928), which elevated her to star status.
But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Gran hotel (1932), Así ama la mujer (1934), No más mujeres (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.
By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Alma en suplicio (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress.
The following year she appeared with John Garfield in the well-received De amor también se muere (1946). In 1947, she appeared as Louise Graham in El amor que mata (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in Un destino de mujer (1947).
Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Miedo súbito (1952). This time the coveted Oscar went to Shirley Booth, for Vuelve pequeña Sheba (1952).
Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in ¿Qué fue de Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie," and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that".)
Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.
- IMDb Mini Biography By: Denny Jackson, with assistance from Copy Editor